Writers Who Read

5 January 2020

On Earth We're Briefly Gorgeous
by Ocean Vuong

"In this culture we celebrate boys through the lexicon of violence . . . What happens to our men and boys when the only way they can evaluate themselves is through the lexicon of death and destruction? . . . I think it is inevitable that we arrive at a masculinity that is toxic."
- Ocean Vuong

"For queer bodies . . . we never got the conversation about the birds and the bees. We have to fail into pleasure. And that failure builds upon itself towards self-knowledge . . . [In the book] sex returns again and again, not as something they get over with, but something that they use to discover and learn about each other."
- Ocean Vuong

Ocean Vuong @ The Strand Bookstore - June 7, 2019 [25:29-29:20]

Kishōtenketsu has 4 parts

  • Introduction (ki): introducing characters, era, and other important information for understanding the setting of the story.

  • Development (shō): follows leads towards the twist in the story. Major changes do not occur.

  • Twist (ten): the story turns toward an unexpected development. This is the crux of the story, the yama (ヤマ) or climax. In case of several turns in the narrative, this is the biggest one.

  • Conclusion (ketsu), also called ochi (落ち) or ending, wraps up the story.


  • The kishōtenketsu form is used frequently in the anime movies of Hayao Miyazaki and his Studio Ghibli.

“Often we demand of the American novel: to be cohesive; a monolithic statement of a generation. But having grown up post-9/11, cohesion was not part of my generation’s imagination, nor our language or our self-identity.”
- Ocean Vuong

A Few Terms

  • prax·is \ˈpraksə̇s\ noun, plural prax·es \-kˌsēz\ [REVISED] [Medieval Latin, from Greek, doing, action, from the stem of prassein, prattein to pass through, experience, practice + -sis —more at PRACTICAL] First known use: circa 1586 (sense 1)
  • 1 : ACTION, PRACTICE: such as  a : exercise or practicing of an art, science, or skill  b : usual or conventional conduct : HABIT, CUSTOM
  • 2 : practical application of a theory

  • Structuralism was an intellectual movement in France in the 1950s and 1960s that studied the underlying structures in cultural products (such as texts) and used analytical concepts from linguistics, psychology, anthropology, and other fields to interpret those structures. Structuralism posits the concept of binary opposition, in which frequently used pairs of opposite but related words (concepts) are often arranged in a hierarchy.
  • Examples: Enlightenment/Romantic, male/female, speech/writing, rational/emotional, signified/signifier, symbolic/imaginary.

  • Post-Structuralism (Deconstructionism) argues that to understand an object (e.g., a text), it is necessary to study both the object itself and the systems of knowledge that produced the object.

  • Roland Barthes was both a Structuralist and a Post-Structuralist

  • from Poetics by Aristotle



  • [D]econstructionist" and "poststructuralist" mean the same thing, by the way: "poststructuralist" is what you call a deconstructionist who doesn't want to be called a deconstructionist"
    -
    David Foster Wallace

And you thought you understood the definition of Metaphor? HA!


  • Metaphor can be traced to Aristotle's Rhetoric and Poetics

  • Conceptual Metaphor in cognitive linguistics, refers to the understanding of one idea, or conceptual domain, in terms of another

  • The Linguistic Society of America has argued that "the most recent linguistic approach to literature is that of cognitive metaphor, which claims that metaphor is not a mode of language, but a mode of thought. Metaphors project structures from source domains of schematized bodily or enculturated experience into abstract target domains.
  • [GMcB: think Colonialism]

  • Metaphoric Criticism is one school of Rhetorical Analysis used in English and speech communication studies. Scholars employing metaphoric criticism analyze texts by locating metaphors within texts and evaluating those metaphors in an effort to better understand
    ways in which authors appeal to their audiences.


  • met·a·phor \ˈmetəˌfȯ(ə)r\
  • : a figure of speech in which a word or phrase denoting one kind of object or action is used in place of another to suggest a likeness or analogy between them (as in the ship plows the seas or in a volley of oaths ) : an implied comparison (as in a marble brow ) in contrast to the explicit comparison of the simile (as in a brow white as marble ) — compare TROPE


Ocean Vuong @ NYU Brooklyn - December 19, 2019 [52:30-end]

Influences

“...the book, and my thinking, moves like a Spiral...; I keep returning, double-checking...and that comes from having a very complicated history.” - Ocean Vuong

Literary Forensics

1. Author / Publisher Intent

2. Stylistic Choices

3. Structure, Pacing

4. Climax - what changed?

5. Scene sleuthing

  • Word

  • Sentence

  • Paragraph

Around the Table

Introductions with Attribution

Five Minutes Each

"Ultimately it's a book about language"
- Ocean Vuong

On Earth We're Briefly Gorgeous - Ocean Vuong

  • Marketing: LGBT Literary Fiction, LGBT Coming of Age Fiction, Asian American Literature & Fiction
  • Genres: Literary Fiction
  • Genre: Realistic, Present Day, Arch-Plot Long-Form
  • Word count: 62,635
  • Print Pages: 256

  • Tense: Present
  • POV: 1st: Little Dog; 3rd: "the boy"

  • Publish date: June 4, 2019
  • Publisher: Penguin Press
  • Awards: Washington Post 10 Best Books of 2019, National Book Award Nominee for Fiction (2019), Kirkus Prize Nominee for Fiction (2019), The Center for Fiction First Novel Prize: Short List
  • Amazon Best Sellers Rank: #1 - LGBT Literary Fiction (Books)
  • #1 - LGBT Coming of Age Fiction (Books)
  • #2 - Asian American Literature & Fiction
  • Ocean Vuong is a recipient of: Ruth Lilly/Sargent Rosenberg fellowship (2014), The Pushcart Prize (2014), T.S. Eliot Prize (2017), MacArthur Fellowship (2019)

  • Vương Quốc Vinh
    • Born October 14, 1988 (age 31)
    • Ho Chi Minh City, Vietnam

  • Studied
    • Brooklyn College, City University of New York
    • - under poet and novelist Ben Lerner

  • Teaches
    • University of Massachusetts at Amherst
    • - assistant professor in the MFA Program for Writers

Sentiment Analysis

Pacing, Backstory

Arch Plot Structure

Word Cloud

Vuong on Auto-Fiction

About James Baldwin's Go Tell it on the Mountain: "Baldwin said he had to write that book in order to write anything else, and that made perfect sense to me."

"(T)he great power of writing is ... when you can take your story and present an alternative future for where it was headed. You ultimately take control of your life.”

Writers Who Read: Coming Up

February 2 - Trust Exercise (2019) - Susan Choi
March 1 - The Lady In The Lake (2019) - Laura Lippman
April 5 - Fleishman Is In Trouble (2019) - Taffy Brodesser-Akner
May 3 - Drive Your Plow Over the Bones of the Dead
(2009, translated 2019) - Olga Tokarczuk
June 7 - Agent Running in the Field (2019) - John le Carré



Thanks to: Boulder Writers Alliance

Contact Gary: hello@garyalanmcbride.com
Learn more about Literary Forensics: Resources

Happy
Sleuthing!